Posts Tagged ‘tape’

Thriller Cassette

Monday, June 29th, 2009

Thriller Cassette

This is Thriller. For those who believe the myth that Michael Jackson was a perpetual 9 year old, perhaps you should listen to this album. Excluding Paul McCartney’s terrible track, The Girl is Mine, it is pretty obvious that a brilliant adult conceived these songs, not to mention the music videos that he designed, choreographed, and performed. The perpetual child discussion is a farce. I guess I am suggesting that his various oddities were a result of some other imbalance, and that his dealings with children were nefarious. So be it.

Thriller was and is awesome. I remember being so young watching the videos from this album at my grandmother’s house in Lansing, IL. She had cable. She was sort of weirded out that I liked colored music, but hey, Chief Justice John Roberts didn’t get it either and he is only three years older than Jackson! My grandma was probably 80 at the time. Whatever, Colbert would call him double-white. Can you imagine, being so white and so self important that you feel compelled to write a memo recommending that the King of Pop should not be invited to the white house? I digress, as usual.

I never had a jacket or a glove, but I still can listen to Wanna be Startin’ Somethin’ any day of the week. Whatever happened is unfortunate, but it was not unpredictable, obviously.

Let’s do a little project. Can you email me your scans of Thriller? Send them as a high resolution scan and I will clean them up and post them. Don’t forget to include a narrative to go with the scan. I will be posting the scan of the tape itself next. Perhaps I will include audio too, especially if the tape is distorted.

Submitted by:

Nick De Pirro

Sugar Cubes: Stick Around for Joy

Monday, June 15th, 2009

Stick Around for Joy

Does this album really need explanation? This was Bjork before all the red carpet events, before Matthew Barney, before overwrought movies. Sort of pop, sort of cheesy, but pretty good. A 1992 release date, I can hardly believe it. I remember that Hit was often played on XRT in Chicago back then. Johnny Mars really knew his stuff. This tape is still playable.

Stick Around for Joy Cassette

Submitted by:

Mike Lamfalusi

Snuffleupagus: 4 Track Demo/Berklee Shit

Thursday, May 7th, 2009

Snuff Demo

SIDE A:
The first side is the home-recorded demo we made as Morthona a year after we recorded the Snuffleupagus River Thy Eyes demo.  We recorded it at Bryan Booher’s (bass) house one weekend.  Big Steve (guitar/vocals) was out of town camping or something with his whoa-man at the time, so all the guitars and vocals are Neil.  We recorded it on an electronic drum kit (Roland TD-5) I had back then – this was way before Roland V-Drums came along, so there were no dynamics to any of the drum sounds so everything came out full volume even if you just barely tapped one of the pads. The sensitivity wasn’t very good either, so sometimes there might be an extra hit that was triggered by something else, or maybe a hit might not get triggered ’cause of interference with another hit… so there are plenty of random and missing hits throughout the songs (AWESOME!)  Just for the record: electronic drums suck for recording death metal.  By the end of that summer, we had gone back to Sheffield Studios to record the full Morthona demo which included these three songs.  Steve was there for that one!

SIDE B:
The next summer, I stayed in Boston so Snuff/Morthona was pretty much done.  One of my friends at Berklee, Joe, was taking classes over the summer and he asked if I’d play for his recital… which I gladly did.  I think our friend, Eric MacPherson, played bass if i remember it correctly.  Crappy recording – maybe one or two room mics.  Two or three prog-rock songs… Vinnie Moore song (the loner) maybe? Joe went on to get his master’s in business I think and has worked for a pretty big record label in Florida for a number of years now.

Snuffleupagus 4 Track Demo

Submitted by:

Chris Janus

Melon

Monday, April 6th, 2009

U2 Melon Cassette

As you can see from the various tapes I have posted on this site, my labeling of individual tapes was pretty atrocious. I used to know exactly what was on each tape just by these simple labels. Some of these are now a mystery, but a quick run through the Walkman clears things up. This tape has an R.E.M album on one side and a dub of U2’s fan club-only release called Melon, which was later released commercially over a year later. Melon was an electronic remix album of songs from Zooropa and Achtung Baby. I got the dub from Pat DiMichelle when he got the envelope from the U2 club office. I have to say, Achtung Baby and the Zooropa interlude was what we thought of as good U2. Most U2 fans complained, as the story goes, and electronic U2 faded away after the release of the Passengers album.

Submitted by:

Nick De Pirro

Cure for Pain

Saturday, April 4th, 2009

morphine

This is a dub of Cure for Pain that somebody left in my cheap radio at the Columbus College of Art and Design when I was doing a one year sabbatical replacement teaching position there in 2001. I don’t have too much to say about it. I guess it is just a relic from that year of teaching in a private art school. I really enjoyed it, but I have lost contact with most of my old students. Posting this tape has put a little string around my finger to reach out to a few of the old sculpture crew.

Posted by

Nick De Pirro

Uncle Jim's Favorite Songs: A Tribute Album

Thursday, April 2nd, 2009

Uncle Jim

I have no back story for Uncle Jim. I can’t remember who gave me the tape, or anything about it. I found it yesterday when I was going through my tape box, and thought you might find it interesting.

Uncle Jim Liner Notes

Submitted by:

Peter J. Daley

Mix (for myself?)

Friday, March 20th, 2009

[audio:mix.mp3]

This is one of the mix tapes that I probably made for myself, but I am not sure. The cursory and careless treatment of the label just about guarantees it. I would estimate that this is from as far back as 1991 or 1992. It had to be pretty close to the Ten release date. All the other songs are 1990 or earlier. I generally split alt rock from industrial when I made tapes. I am not exactly sure why, but they seemed pretty incompatible. The tape is just labeled with the word mix. It is pretty standard stuff that I liked and still like for the most part. The best thing on this tape is a live track from R.E.M that I recorded from WXRT. It is a pretty rough recording. Radio recordings are pretty cool. A definite thing of the past. I have not listened to anything from Ten for years, but I think I will revisit it after hearing Once on this mix tape when digitizing it. Maybe this tape was just a way to get some variety while mowing the lawn. I have no idea.

Side B is Revolting Cocks Beers Steers and Queers that I dubbed from Randy. That album also has a 1990 release date so it all makes sense, I guess.

Submitted by:

Nick De Pirro

Gravelbone

Thursday, March 19th, 2009

Gravelbone

A fine product of Sheffield studios in Northwest Indiana. These guys were one of my ultimate idol bands in high school. I was/am still friends with the bass player, Art Hernandez, who I met while working as a line cook at Al’s Diner in Merrillville, IN (which was actually quite the musician hole somehow.) He actually signed the tape for me then.

Art once sent me to an audition with his friends’ band who was looking for a drummer – I didn’t even get to any playing with them cause I was so out of my league and embarrassed (I was like 16! I ran home.) Although the lineup had changed since that audition, these guys ended up turning into Gravelbone a year or so later, and Art was now playing bass for them. I went to their practices over in Calumet City next to Redline Raceway, Mike Sheffield’s house and later studio in Gary, whichever shows I could get into, and I also remember being a roadie for a big show they played in Racine, Wisconsin. I saw Mike Sheffield a number of times because my bands/friends all recorded at his studio.

Eventually, they recorded a full length CD consisting of a few new songs and redone versions of all the demos they put out; I picked it up on eBay several years ago and was severely disappointed – the demos were way better. I caught a show once while in Indiana over Christmas. They had a few new members, they were all crazy skinny, and they played everything several notches slower than I was used to. Years later, they slightly regrouped while nu-metal bands were all the rage and added a rapper for dueling vocalists. They put out a CD and played a few good shows from what I understand, but nothing came out of it and eventually they split up.

RIP Gravelbone.

Submitted by:

Chris Janus

You Could Be Mine

Thursday, March 19th, 2009

You Could Be Mine

I saw T2 in the theater when it came out, (with Nick, actually), and I’ve been a huge GNR fan since like 7th grade cause I’m cool like that.  I forgot his name, but a friend of mine in wood shop in high school had this cassette single and let me borrow it.  Well, I’m awesome and didn’t take it back to him for several months cause I listened to it constantly.  One summer, I went to a swim camp at University of Michigan, and one of my daily rituals was to crank You Could Be Mine full blast every morning, which would immediately bring an annoyed friend, Mark Radio, storming into to my room from next door to give me that “are you fucking serious?” look with burning daggers shooting from his eyes.  I also remember practicing You Could Be Mine when I was first learning the drums and how excited I was when I first made it all the way through.  Listening to it now, I can’t believe there was a point when I couldn’t.

You Could Be Mine

Submitted by:

Chris Janus

Turn It Up Sampler

Wednesday, March 18th, 2009

Turn It Up Sampler

So, I went to the mall with my bud, Nick, to buy a CD I think… one of those Music-Go-Round kind of mall music stores with $35 CD’s.  They were giving out these tape samplers at the counter – normally, I wouldn’t care but I happened to see Testament on the label so I grabbed it as I was a big fan.  I remember playing it in the car on the way home, and it must’ve been obvious that I liked it cause Nick started laughing when he saw my reaction.  Every other one of the bands/songs sucked but I always kept this tape in my car just to crank Electric Crown (and then rewind and play again).  This song ended up being the first song on what would be one of my all-time favorite metal albums, The Ritual, which my metal band covered a song from several years later at Berklee College of Music.  This was the last album Alex Skolnick played on with Testament for probably a decade or so when they reunited.  While I don’t listen to this sampler any more of course, I do listen to Testament and The Ritual frequently today still.

Submitted by:

Chris Janus

The Last Tape I Ever Bought

Monday, March 16th, 2009

13 Above the Night

This is the last tape I ever bought. I picked it up on Kirkwood Ave., in Bloomington, IN when I was wasting time instead of doing work. I don’t recall the name of the record store, and I don’t know why I bought a tape and not a CD. It was probably just a cash-in-pocket scenerio. At any rate, this tape got lots of use travelling between Bloomington and Indianapolis on Route 37 in the old 5.0.

Submitted by:

Nick De Pirro

Penetrate the Satanic Citizen

Monday, March 16th, 2009

Penetrate the Satanic Citizen

This is easily the dirtiest tape that I have in the tape pile. Again, studio dirt, but this time it appears to be bronze dust. This makes sense, because at the old Columbus, OH studio, this guy Shawn was subletting from me, and one time he went out of control sanding some terrible bronze sculpture for somebody and covered everything with a layer of bronze powder.

This album is a compilation of Leæther Strip’s best. I love this album. It is by far one of the best industrial albums that you can buy, or dub, for that matter especially if you are not familiar with the genre. It is not an album, in the purest terms, but it plays like one, and for me it was an album because I didn’t have any other Leæther Strip tapes at the time, and honestly, they were kind of hard to find. I have had this tape since high school, and it still plays. I now have the CD and of course, the .mp3 rip of the CD, but I will probably keep this tape forever. Why throw it out? These things don’t take up that much space, you know? Like many other dubs that I have, this one was from a CD that Randy had. I believe that I did this dub myself due to the handwriting analysis. Also, the tape runs out on side one, and I start the song over again on side two. A sure sign of my incompetent engineering.

I see that Claus has a new album scheduled for release this month. I will have to check it out.

Submitted by:

Nick De Pirro

That Total Age

Sunday, March 15th, 2009

Nitzer Ebb: That Total Age Cassette

Nitzer Ebb: That Total Age Cassette

Here is my copy of Nitzer Ebb’s That Total Age. You can see that like most of my tapes, it is pretty heavily damaged due to studio use. This is an obvious landmark album in the body music/industrial genre, but there is something weird about it. Why does the song, Warsaw Ghetto, appear on this tape? Perhaps the real question is why the song is not on the CD version of this album that I bought later with the strange title, Nitzer Ebb Produckt: That Total Age. I was shocked when I got the CD and found that the best, or at least most political, song on the album was missing. I couldn’t figure it out. Was it part of the Nazi Panic from the early ’90’s that was responsible for the attempted banning of Wolfenstein 3D in the United States? It seems to be a song about the Warsaw Ghetto, right? But, it takes the accusatory position blaming those who allowed it all to take place. Still, the song is missing from the CD version, and is even missing from the Wikipedia entry about the album. I have never been able to figure it out. Perhaps somebody out there knows the answer. I understand that the song in question appears on a few other singles, but the only thing I am looking to answer is why it is on this album only on the cassette.

I can’t say that I was ever really a fan of this band the way I was a fan of KMFDM, for example. I never saw them play, and I didn’t have every album that they recorded. I do recall that in the fall of my freshman year of high school, probably right after school started, there were two ultra-cute girls carrying on about the Nitzer Ebb show that they went to the previous night. As per custom, they were wearing the concert shirts to school the following day. They were ecstatic, and it was very intimidating. I was amazed that girls liked industrial music. I didn’t realize that Ebb was kind of a chick band at that time. It was a cool revealation to see that the stuff that I just recently discovered was not exclusive to skaters, bikers, and other dorks.

Submitted by:

Nick De Pirro

London and Other Places/All Other Places

Sunday, March 8th, 2009

[audio:london.mp3]

I found this tape in the space I took over in the BFA studio my final year at Indiana University. It’s not the greatest mix, for sure, but it is pretty good. I did listen to it in my car a bunch of times driving between Bloomington and Indianapolis. It contains some French Punk and Bowie and other songs that are site-specific, you could say. Side A is all about London, and Side B is more London songs, but I guess the person ran out of songs and filled the remaining space with songs about other places. Yes, London Calling is on there. Would you like to listen to it?

Submitted by:

Nick De Pirro

Incorporated Master

Monday, March 2nd, 2009

This is the master tape of the Iconoclast recording session which resulted in the Incorporated 7″.  Recorded at Trax East by Eric Rachel, it was the last release our band ever put out.  What is cool about this tape?  It marks the last time five intensely close friends came together to make a recording. It documents the end of an incredible chapter in my life.

Submitted by:

Ian Williams